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A dark machinebeat as a clock, driving synths, acoustic guitar in the foreground. Strange, beguiling mood.
A chase... Lovely and harmonious blend of classical and electro... Acoustic piano line contrasted by brass and French horn lines open up into woodwind lines and the percussive mallets go to town... the orchestra bursts back with answering riffs
Restless and passionate. The search for the Holy Grail. Or a lost love. Talkover version.
epic, positive, uplifting, grand stadium rock. huge melodic guitars, monster drums & glorious strings combine to make big music with a sense of victory & overcoming adversity for sports/thriller/action type projects.
A dark, brooding and atmospheric underscore that’s best suited for scenes depicting depression, loneliness, sadness or a melancholy passage of time. With an ominous drone, hypnotic piano patterns, descending string melodies and low pizzicato strings.
Drama is the name of the game here. Synth sequences introduce layers of fat guitar and a monster drum groove. The intensity keeps rising until it reaches fever pitch in the mid breakdown before a searing lead solo brings things to a close. Contains guitars..loads of them, bass, drums and synths.
Twisted synth sequences get this pitbull of a track moving, then massive guitar riffs crash in with drums and bass to form an irresistible groove. Imagine a cross between White Zombie and Kraftwerk. Contains drums, synth, bass and lots of guitars!
Upbeat, high energy adrenaline rocker with slight ethnic flavour. Lots of guitar melodies, distorted guitar riffs, strings and bombastic dramatic statements. Contains guitars, Persian santoor, bass, drums and strings.
If there are Asian-inspired waltzes, this is a successful attempt to bring it alive. Very subtle, almost only piano and chimes.
Great for commercials and segways needing an adult and modern contemporary edge.
Authentically imitated 80ies music. Dynamic and energetic with a pinch of distant melancholia.
Stay tuned and never give up. As the famous light at the end of the tunnel.