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Mäßig Schnell 14/271
2252 Gemafreie Musiktitel
4514 (GEMA-Repertoire)
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Latin party track. Fast latino 'stomp' featuring nylon guitars, driving bass and percussion.
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Flirrend mit Elektro-Synths und einen eisigen Winterfeeling, die perfekte Musik zur Begleitung von Wintersport Spots. Energetisch und schnell.
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Dramatic trumpet, choir and orchestra in the spaghetti-western style. Percussive and tense.
This is a driving and purposeful alternative rock with a sense of hope and direction made with multiple guitars, keys, bass and drums.
Threesomes Trance track, with a sensitive piano hook, dreamy backings and the support of large sparkling synths
Freundliches Intro, treibender Groove, eingängiges Flöten-Thema in der Mitte und gegen Ende des Songs, etwas anderer Schlagzeug-Groove am Ende
A traditional Irish double jig (Haste to the Wedding) which moves into slip Jig (Kitty Come Down to Limerick) at 1:00. Pounding bodhran drives both spirited jigs which are played by fiddle and mandolin. Popular jigs in Ireland, heard around the country, these are valiant, glorious and an ode to older times. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Modern and edgy rock track. Strong and confident sound with crunchy guitars and raw sounding drums. Heavy but not over-powering, strong but not dominant. Great for projects looking for a modern sound.
Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A bossa nova oozing with confidence, definely "A" Team material to get the job done
Uptempo country track with electric and steel guitar top lines, and a ska like double time rhythm. Great for western or animation.
Positiv beschwingter Gute Laune Pop mit fröhlich gepfiffenen Melodien, Akustik Gitarren und beschwingten Glöckchen. Eine ideale Hintergundbegleitung für Erklärfilme und perfekte Tage.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.
2252 Gemafreie Musiktitel
4514 (GEMA-Repertoire)