Rund 1.700 Chill-Out Tracks online

Die Proud Music Library beherbergt Musik aus mittlerweile 100 Musikgenres. Neben Rock (309 Titel), Pop (574 Titel) und jede Menge elektronischer Musik (rund 10.500 Titel), verfügen wir allein rund 899 Musiktitel aus dem Reich der klassischen Musik.

Viel Musik zum Entspannen gibt es im Genre „Chill out“. Hier stehen aktuell (Stand: 01.08.2013) exakt 1.639 GEMAfreie Titel und GEMA-Repertoire zur Lizenzierung bereit. Einfach mal reinhören!


Interview mit Komponist Reinhold Pöhnl (engl.)

Reinhold Pöhnl is one of the most versatile composers I have had a chance to interview. All you need to do is search his name, and you come across an array of compositions that range from classical to jazz to hip hop. Every piece is clear and precise. Following, find out what has contributed to shaping this multi-faceted personality.

PM: When did you discover your love for music?

Reinhold: Maybe it was at the age of 5, when my older sister had her first piano lessons and I was allowed to stand next to the piano.

PM: If you were not a musician, what other path would you have taken?

Reinhold: I am excited about photography, and maybe this would have been my alternative choice. I am also interested in mathematics. There are so many fascinating paths other than music! There is: science, physics, computer graphics, parachuting…., but I think, I never would have become a lawyer or a business manager.

PM: Do you have a favorite composer?

Reinhold: There are, first of all, of course, the three greatest of all times: Bach, Beethoven and Mozart. Nevertheless, there is unimaginably much more music now. If somebody is going to buy a luxury car, it is possible to get some kind of market overview before you do, but when it comes to music, several lifetimes are not enough to browse through the existing music. And every day there is new music. So let me name a few artists or composers I like: Astor Piazolla, the Beatles, Prokofiev, Ravel, Debussy, Count Basie, and Skrillex. It might not make sense because they are so many and so different.

PM: How would you describe your style?

Reinhold: My style is varied. I write and produce very different music. Above all, I like colorful harmonies and surprising changes. I enjoy trance and techno, as well as creating a traditional polka, which then takes a not-so-traditional turn. I like experimenting because I’m inquisitive.

PM: Is there a musician who has influenced your style?

Reinhold: There are countless. As with the question regarding a favorite composer, there are too many.

PM: When did you start composing?

Reinhold: I started soon after I began to play the piano. Of course, that could not actually be considered composing.

PM: Do you write, play, and produce all your pieces?

Reinhold: I write, play and produce, and together with other instrumentalists as well. There is also music which I have written for other performers, such as a string quartet, or music for accordion, or short piano pieces for students. There is a great deal of music I have written that has been performed by others, but which has not been recorded yet.

PM: How many pieces have you written?

Reinhold: More than 500 so far, although I’m certain there will be more. I must admit, some pieces are just for mass production, like musical wall paper, but there are some pieces which I consider little jewels and take a little longer to write.

PM: Do you play an instrument? Which one(s)?

Reinhold: My main instrument is the piano, but I have played the viola for many years, I had to play the unavoidable recorder in elementary school, I still play guitar, and I also have some experience with drums. I have tried the accordion, the upright bass, and the timpani. I have played the traditional organ at church service, as well as a Hammond organ when performing jazz and rock. I have yet to master any of those, except maybe the piano. Still, the experience with so many different instruments, in my opinion, has been quite useful.

PM: What is a normal day like for you?

Reinhold: I am lucky, I think. Most days, when I am not traveling, I can just do what I feel like. Apart from writing, creating and producing my own music, I also work as a freelance musician for Yamaha, producing musical content or training new members. Last week I was sent to a place near Marseille to train a French musician on how to create musical content data. My job is to explain the technical details to make that musical data work best on a particular (digital) instrument. Yamaha wants local specialists to create musical data to perfectly fit the local taste and demand. For these projects I have traveled to Turkey, Spain, Serbia, Bulgaria, Greece and the USA, among other countries. The interaction with musicians from different parts of the world and cultures is very exciting, interesting and inspiring to me. I also love to explore the local cuisines and enjoy trying new food, new spices, and experiencing new impressions.

PM: Do you follow a ritual when you write your music? Do you take special measures?

Reinhold: No. Most of the time, I have music paper and a pencil with me; whether I am on the beach or on a train, and certainly, next to the piano. I take notes, write songs, and I have plenty of music notebooks filled with ideas that have not come to fruition yet. I browse through these notes and check and compare once and again. At times, I just sit and play and I start to develop a piece of music based on a kind of improvisation or a spontaneous idea.

PM: What advice would you give someone who is thinking about becoming a composer?

Reinhold: On the one hand, there is the creativity, the genius, the divine inspiration, the unexplainable, which probably cannot be learned or trained. I am not sure why, it is just so. Then, there is also the basics, the craftsmanship, the knowledge about music theory, harmony and all the stuff found in music books. I think it is a good idea to learn what is learnable, and to hope to just have that special something.

PM: What would you say is the hardest thing about what you do?

Reinhold: After having composed, performed, recorded and produced a piece of music, it is hard for me to find a suitable name for it. I am not good at finding catchy titles, so I share the music with my daughters, or I play the music for my wife and I ask for their feedback and suggestions. Most of the time, they have nice recommendations I would never come up with.

457 gemafreie Musiktitel von Komponist Christian Petermann online!

Die Proud Music Library beinhaltet nun 457 gemafreie Musiktitel des Komponisten und Produzenten Christian Petermann. Die meisten royalty-free Musiktitel stammen aus den Genres Rock und Pop, doch auch Trip Hop ist vertreten. Die Proud Music Library umfasst nun rund 22.000 Tracks (Stand: Okt 2012). Reinhören…

Proud Music! Music to be proud of...
Proud Music! Music to be proud of…


Muß ich bei GEMAfreier Musik Musikfolgebögen ausfüllen?

Da alle Lizenzkosten bei GEMAfreier Musik bereits mit Zahlung der Lizenzgebühr abgegolten sind, entfällt die Abrechnung über Verwertungsgesellschaften wie GEMA, SUISA, etc..  Sie können, sofern sie der Nutzer sind, jedoch anderweitig z.B. bei TV-Einsatz hierzu verpflichtet sein – auch wenn sie gemafreie Musik verwenden. Hier gilt die sog. GEMA-Vermutung.


Wieviele Kopien dürfen mit einer Standard-Lizenz hergestellt werden?

Die Anzahl der physisch hergestellten Kopien, die bereits automatisch in einer Standardlizenz enthalten sind, beträgt 1.000 Stück. Sollten Sie eine höhere Anzahl an Kopien benötigen, können Sie bequem auf die nächsthöhere Lizenz aktualisieren und zahlen lediglich die Differenz. Dies gilt auch für GEMAfreie Musik aus der Proud Music Library.

Auflagenbasierte Lizenzen online kaufen


Was bedeutet „Buy-Out-Lizenz“

Buy-Out Lizenz bedeutet, daß es keinerlei regionale oder zeitliche Einschränkungen bei der Verwendung der lizenzierten Titel im Hinblick auf das sog. Werkverbindungsrecht gibt.  Es können aber Abgaben bzw. Tantiemen an die GEMA bezügl. mechanische Vervielfältigung und Aufführung anfallen, die bei Nutzung von nicht-GEMA-freier Musik an die GEMA zu entrichten sind.

Bei gemafreien Musiktitel aus der Proud Music Library fallen also keine Tantiemen an Verwertungsgesellschaften an.


Erhalte ich ein Freigabedokument?

Ja. Sie erhalten zu jedem Musiktitel eine Nutzungslizenz mit Angabe des Komponisten bzw. Rechteinhabers und Nutzungsrahmens. Somit können Sie Dritten gegenüber die Berechtigung nachweisen, dass sie berechtigt sind die Musik aus der Proud Music Library zu nutzen. Die Freigabe ist aber nur gültig, wenn die Lizenzgebühr bezahlt wurde. Dies  gilt auch für GEMAfreie Musik!

Zunehmend beliebt. Vidoes mit Drohnen und Production Music aus der Proud Music Library
Zunehmend beliebt. Vidoes mit Drohnen und Production Music aus der Proud Music Library


Gerd-Peter Vogel als neuer GEMAfreier Komponist/Produzent an Board!

Wellenform des Tracks Crude and Wild von gerd-Peter Vogel (GEMAfrei)
Crude and Wild von Gerd-Peter Vogel (GEMAfrei)

Es haben jede Menge GEMAfreie Tracks des Komponisten und Produzenten Gerd-Peter Vogel Einzug in die Proud Music Library gehalten. Seine Musik zeichnet sich vor allem durch ein versiertes Gitarrenspiel aus und ist überwiegend in der Rock- und Popmusik zu Hause. Seine Produktionen sind vielseitig verwendbar, sei es als Hintergrundmusik für Telefonwarteschleifen, Unterlage für einen Imagefilm oder in einem Trailer.

Seine rockigen Tracks eignen sich bestens zur Untermalung von Renn- und Sportgames. Tipp: Crude and wild. Einfach anklicken und reinhören!
Hier geht es zum Komponisten.

Volumentrische Visualisierungen – Cheoptics360 XL Showreel

Unser Kunde ViZoo hat folgendes sehr interessante Technologie-Demo-Video für volumetrische Visualisierungen online gestellt. Die Musik für diesen Clip wurde natürlich bei uns aus unserer Proud Music Library lizenziert: „Happy Days“ von Daniel Altena.
Viel Spaß!

Neue Production Music in der Warteschleife!

Wir arbeiten gerade daran, etwa 60 neue GEMAfreie Musiktitel für die Proud Music Library vorzubereiten, die wohl diese Woche noch online gehen. Mit dabei sind Kompositionen von Jan Sören Haas, Heiko Klüh, Frank Bernbeck, Dietmar Hess und Andreas Lutz.